Artists

Adriane Colburn

Alex Zecca

Alice Shaw

Amy Franceschini

Andrew Romanoff

Bonanza

Carson Ellis

David Hytone

Fox Hysen

Graham Gillmore

Inez Storer

Jason Jägel

Jason Middlebrook

Jeffrey Sincich

Jered Sprecher

Jim Melchert

Johanna St. Clair

Jonn Herschend

Josh Jefferson

Kim Bennett

Lowell Darling

Martin McMurray

Michelle Grabner

Nathaniel Parsons

Nathaniel Russell

Rebeca Bollinger

Reed Anderson

Rex Ray Estate

Richard Shaw

Scott Hewicker

Shaun O'Dell

Taravat Talepasand

Thomas Heinser

Tucker Nichols

Wayne Smith

Zuzana Licko

Ala Ebtekar

Amy Ellingson

Ann Chamberlain

Ari Marcopoulos

Barry Gifford

Brad Killam

Bruno Fazzolari

Carol Selter

Charles Linder

Cliff Hengst

Darren Waterston

David Perry

Deborah Oropallo

Double Strength

Elliot Anderson

Gay Outlaw

Harrell Fletcher

Kara Maria

Libby Black

Linda Geary

Lynn Hershman Leeson

Margaret Kilgallen

Off Hours

Rose D'Amato

Rudy Vanderlans

Serena Cole

Sonny Smith

Xylor Jane

1

editions

exhibitions

David Hytone

Selected Works

Bio

I am interested in the intersection between specificity and approximation, particularly how this relationship informs our perception of the world around us and the role memory plays in that interface. The methods I utilize in the studio are the source of these inquiries, as techniques often rely upon activities of transference and obfuscation, resulting in imagery that is compromised or incomplete, blending situational intentionality with generic cross-pollination. Repetition and the reoccurrence of patterns and thematic elements within a given composition and from piece to piece reference the sensory shorthand I believe we employ to navigate our surroundings and render our experiences onto memoir.

Approaches in the studio revolve around “off-canvas” processes: Glass-plate paint transfer, crude mono-print techniques, and the creation of myriad types of painted paper that are manipulated and cut to form prior to application to the surface of the piece. As referenced above, these processes are a conduit to investigations into perception and memory, implicitly informing the conceptual thrust of the work rather than being the product of the reverse. I’ve always said that when I enter the studio, I do not so much begin with an idea as endeavor to arrive at one, and allowing the process to lead my inquiries, as opposed to those inquiries driving my process is integral to keeping the work honest, revelatory and moving forward.

EXHIBITIONS

The Elephant and the Albatross

Taking Stock

As Per Our Most Reliable Witness (Jade Mountain, 12/15/21)

As Per Our Most Reliable Witness (Jade Mountain, 12/15/21),

2022

Acrylic, okawara on panel

72 x 48 inches

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Upon Further Reflection, I May Have

Upon Further Reflection, I May Have,

2023

Acrylic, okawara on panel

40 x 50 inches

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The Whole of the Half-Light, 4/29/19

The Whole of the Half-Light, 4/29/19,

2019

Acrylic, ink, Flasche, Okawara on panel

83 x 70 inches

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Tell It Like It Isn

Tell It Like It Isn't,

2019

Acrylic, ink, Flasche, Okawara on panel

41 x 38 inches

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Though Some Were Tourists

Though Some Were Tourists,

2019

Acrylic, ink, Flasche, Okawara on panel

73 x 108 inches

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